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- 🥑 characters are people too
🥑 characters are people too
as demonstrated herein five times (scene starters, part 4)
Here’s a fundamental aspect of writing characters that people will actually read:
They have feelings.
Even a lack of emotion counts—whether your protagonist is numb from shock or Tin-Man-ing it up as a heartless automaton.
And whatever those feelings are, we as the readers wanna see them.
Your scene’s opening line is a perfect place to tee up that emotion. Whether it lingers to the end or gets wrecked halfway through, we have to start somewhere.
Here are five ways to communicate a character’s emotion with your opening line.
Say outright what they’re feeling. Sometimes, telling actually works.
Use physical sensations (e.g., wiping clammy hands on their jeans).
Open with a thought or a piece of dialogue that carries emotional context.
Use the environment to represent emotion (a technique beloved by film directors when it’s raining during a funeral).
Show us a contrasting emotion through the scene’s antagonist.
Try two or three of these ideas next time you’re drafting or revising a scene—then decide which one best connects you to the protagonist.
Next time: direction and misdirection.
Want feedback on your own scene starters? Reply to this email with an opening line from one of your scenes and I may use it in a future Bite.
Thanks for reading Avocado Bites!
Avocado Bites is a publication of Avocado Tree Press, LLC, that helps you revise your stories one bite at a time. We love working with indie and traditionally published authors on fiction manuscripts—and if that’s you, welcome to our target audience.
Ready for a sample edit? Here’s our site.
Addison Horner is the chief editor of Avocado Tree Press. Here’s his newsletter. It’s different but still pretty good.